About Rina
Writer. Reader. Oregon coast fog enthusiast.
I write love stories about people who are afraid of being known and the people patient enough to know them anyway.
The Tidewater Secrets is my series -- five interconnected romances set in Saltmere, Oregon, a fictional town on the coast where the forest meets the sea, the fog has opinions, and a dead postmistress left behind 243 undelivered love letters that change everything. The series begins with The Letter You Never Got, the story of a competent, cheerful contractor hiding a grief she won't name and a quiet fisherman who sees through her anyway.
Before I was a writer, I was a reader. I have been a reader for longer than I have been anything else. I grew up in libraries, in the back seats of cars with paperbacks, in the particular silence of a house where everyone is reading at the same time. I am always reading at least three books at once. I have accepted this about myself.
I write about love because I think love is the most complicated and interesting thing people do, and the least honest genre to write about it would be one that pretends it's simple. My characters have been hurt but they are not broken. They are wary, not bitter. They are people who have built walls for good reasons and who need someone specific -- not just anyone, but the right person -- to make staying inside those walls feel like a worse option than the terrifying business of letting someone in.
I live on the Oregon coast, where the rain is horizontal, the coffee is too strong, and the fog sits on the harbor in the morning like it's thinking about something. I write at a desk that faces a wall because if I could see the ocean I would never finish a sentence. I walk the headlands when I'm stuck on a plot problem and usually come home with a solution and wet shoes.
Rina Philips is a pen name. This is not a secret -- it's a preference. I like the idea that you imagine me however you want. I am probably shorter than you're picturing.
"I don't write love stories because I think love is simple. I write love stories because I think love is the most complicated interesting thing we do, and the least honest genre to write about it would be one that pretends otherwise."
What I'm re-reading
The Comfort Stack
The five books I cycle through the way other people cycle through playlists. I don't recommend books I don't love. There are enough lukewarm recommendations in the world.
- 1
Persuasion
by Jane Austen
"The letter. You know the one."
- 2
The Secret History
by Donna Tartt
"I know it's not a comfort book for most people. It is for me. Don't ask."
- 3
Beach Read
by Emily Henry
"The first one I read of hers. The one that made me think: oh, so romance CAN do that."
- 4
Gilead
by Marilynne Robinson
"A book about a man writing a letter to his son. I think about it constantly."
- 5
The Blue Castle
by L.M. Montgomery
"If you haven't read this, I envy you. You still get to read it for the first time."
Why the Oregon Coast
People ask me what I do on days when I'm not writing and the answer is: I'm always writing. I'm just not always typing.
Here's the thing about being a writer in a small town on the coast: everyone assumes you moved here for the aesthetic. I moved here for the quiet. The aesthetic is just what the quiet looks like.
The coast at 6 AM in winter is not beautiful in the way people mean when they say beautiful. It's beautiful in the way a truth you've been avoiding is beautiful. It just sits there. It doesn't perform. That's what I wanted for Saltmere -- a place that doesn't perform. A place where the weather is a character, the fog has opinions, and the harbor in the early morning sounds like the beginning of something you're not quite ready for.
Saltmere isn't a real place. I know that. But sometimes I drive past a harbor and for a second I forget.
Stay in Touch
My newsletter is where I share what I'm writing, what I'm reading, and whatever the fog is doing. Plus bonus scenes and early reveals.
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